6 edition of Littery man found in the catalog.
Published
1996
by Oxford University Press in New York
.
Written in English
Edition Notes
Includes bibliographical references (p. 151-172) and index.
Statement | Richard S. Lowry. |
Series | Commonwealth Center studies in American culture |
Classifications | |
---|---|
LC Classifications | PS1336 .L68 1996 |
The Physical Object | |
Pagination | x, 177 p. ; |
Number of Pages | 177 |
ID Numbers | |
Open Library | OL795941M |
ISBN 10 | 0195102126 |
LC Control Number | 95031814 |
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Old Man Warner, the oldest man in town, has participated in seventy-seven lotteries and is a staunch advocate for keeping things exactly the way they are. He dismisses the towns and young people who have stopped having lotteries as “crazy fools,” and he . The display of testimonials was a well-orchestrated piece of public relations, but it also suggests that the men who were running the book supplement in .
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"Littery Man" will appeal to both Twain scholars and to scholars and students of nineteenth-century American literature and culture. Enter your mobile number or email address below and we'll send you a link to download the free Kindle App.
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The author suggests three major cultural transformations which best describe the writing of Mark Twain: capital, culture, and education. The second one is tackled in detail in this chapter. This is aided by a discussion on one of the novels of Mark Twain, The Adventures of Tom Sawyer (). This chapter shows how this novel brings into collision the commodity aesthetic with a.
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As Mark Twain, Samuel Clemens became one of America's first modern celebrities, successfully straddling the conflicts between culture and commerce. Twain manipulated the cultural outlets of his day, not only through publication of his diverse novels, but through newspapers, magazines, book reviews, advertising, and his popular performances and readings.
In "Littery Man", Richard Lowry examines how Twain used these conflicts in his major texts to fashion an "autobiography of authorship," Drawing on a wide range of cultural genres - popular boys' fiction, childrearing manuals, travel narratives, autobiography, and criticism and fiction of the period - Lowry reconstructs how Twain participated in.
As Mark Twain, Samuel Clemens straddled the conflicts between culture and commerce that characterized the era he named the Gilded Age. In Littery Man, Richard Lowry examines how Twain used these conflicts in his major texts to fashion an autobiography of authorship, a narrative of his own claims to literary authority at that moment when the American Writer.
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